Posts tagged NewSpring Church

Still Frame: Israel

I wrote in the last post, I’ve been pretty busy the last few months with various things. One of the those things was a trip I took to Israel.  Starting next year NewSpring Church is going to be leading trips to Israel. So this trip I was apart of was an initial scout trip of sorts. I went to shoot some promotional materials that we’re going to begin rolling out in the coming weeks.  Here’s a few frames stills from those.

Shot on the Canon 5D using a variety of lenses and the Technicolor color profile. 

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A Story | Big Picture Faith

So, this past weekend we had the chance to debut not one but two new stories.  The process on not only telling Mandy’s story but also this one began about five weeks ago.  Crafting this particular story was a bit tricky.  It’s longer than we normally like to let our typical stories run, nearly ten minutes, but there was just no way to tell it in a ‘normal’ form factor.  We had a little less than two full days to shoot it.  It was out of the state.  Production was a whirlwind. But it’s an unbelievable story that I’m honored to be able to share with you. Credit list is below for what it took to make this project happen. 

Producer: Adam Kring
Story: Nick Charalambous, Adam Kring
Editor: Darrin Dick
Color: Adam Kring, Darrin Dick
Camera: Adam Kring, Darrin Dick
Audio Capture: Daniel Crowe

A few technical notes:
-Shot on Canon 5D MKII and Canon 7D
-Lenses: Canon 24-105 f/4L IS, 100mm f/2.8L IS Macro, 70-200 f/2.8L IS
-Edited in Final Cut Pro
-Color graded using After Effects 

A Story | Tears of Hope


Just about a year ago I had the opportunity to tell Zac’s Story.  To say any of us knew the type of impact his story would have on people’s lives would be an absolute lie.  While Zac is now with Jesus, his family is still here.  And their story has continued to grow and evolve.  It has been an absolute honor to still be apart of telling the Smith family story.  

A few technical notes:
-Shot on Canon 5D MKII and Canon 7D
-Lenses: Canon 24-105 f/4L IS, 100mm f/2.8L IS Macro, 70-200 f/2.8L IS
-Edited in Final Cut Pro
-Color graded using After Effects